We often discover new media fascinations in roundabout ways. In February of 2022, when filmmaker J.P. Sniadecki emailed me to ask if I’d seen Chloé Galibert-Laîné’s “Forensickness” (2022), I had only the vaguest sense of what had come to be called the “video essay.” I...
I started writing this the day “Barbie” was opening in the theatres. I had not seen it yet, because I am writing less about the film and more about the cultural and political moment we inhabit as it opens. I went as soon as I finished an early draft, exactly one week...
These days, most of us are torn between eco-terror of the future and a persistent hope that what seems inevitable can somehow be redirected (earlier eras have often seen the world coming to an end). It’s hardly surprising that inventive filmmakers are finding new ways...
I was punched in the gut. It hurt. I thought this would be the seminar session to bring all the theories and histories of documentary across analog and digital together with a big political and epistemological impact. But I should have summoned my semiotic training to...
Outside of the corporate offices and backlots of Netflix, Disney, NBC, Universal, and Warner Brothers, masses of protestors stand with signs that range from serious to hilarious, all with the same message: writers need to be fairly paid for their work. Corporate media...
Natalia Almada’s documentary essay film “Users” (2021) questions a mother’s deep ambivalence about technology. But the film’s aesthetics makes clear that she has already chosen technology. The film is the binational Mexican American director’s first shot in the United...
Bill Morrison is known for his often-magical transformations of archival film in various states of decay into new works that speak to both past and present. Until the recent success of “Dawson City: Frozen Time” (2016), “Decasia” (2002), which was admitted to the...
Myriad films across the history of Latin American cinema explore the trope of the migrant. These films document the trek from Latin America to the U.S. and migrants’ lives afterwards. Classic films such as “Espaldas mojadas” (Alejandro Galindo, 1995) and “El Norte”...
Augmentation is not defined exclusively by emerging digital media forms, software, and interfaces. Instead, augmentation explores how to generate new processes about how to think through, with, and within place that spans the digital, the analog, and the embodied. Not...
Julia sat in the basement of the Student Union at the University of Iowa engulfed in a circle of women college students wearing flannel shirts, jeans, and work boots, drinking coffee to power them through a study night at the university library. It was 1976. I was a...
