This Is a Catastrophe. I am finishing the writing of this piece shortly after the July 4 holiday. This is significant — to wonder who this country is now, and before. I began writing it while riding the bus into NYC from Ithaca, NY, on Friday, June 30, while the last...
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Bipolar Ecocinema: Nikolaus Geyrhalter’s “Matter Out Of Place” and Michael Gitlin’s “The Night Visitors”
These days, most of us are torn between eco-terror of the future and a persistent hope that what seems inevitable can somehow be redirected (earlier eras have often seen the world coming to an end). It’s hardly surprising that inventive filmmakers are finding new ways...
The Radical Restorative Justice of The People’s CDC
The Pandemic is Not Over Four days before the 2022 State of the Union address, the U.S. Centers for Disease Control and Prevention (the CDC) made a change to the risk-prevention pandemic map of the United States that changed the color of the map from red to green....
Warhol, Art, and Capitalism Before the Supreme Court
The Andy Warhol Foundation has lost its suit against photographer Lynn Goldsmith. The Supreme Court’s May 18, 2023, ruling positioned the decision as a defense of lesser known artists against famous ones. The majority argued that Fair Use was not applicable when...
Motherhood, Technology, and Natalia Almada’s “Users”
Natalia Almada’s documentary essay film “Users” (2021) questions a mother’s deep ambivalence about technology. But the film’s aesthetics makes clear that she has already chosen technology. The film is the binational Mexican American director’s first shot in the United...
The Republican Debt Ceiling Proposal Saves the Economy on the Backs of Latinas
It is May. In the U.S., Italy, Japan, Mexico, and many other countries, it is a month that celebrates mothers. Deconstructed, it heralds women bearing and caring for children to ensure the health and welfare of the family. For many, celebrating Mother’s Day means...
How Bill Morrison’s “Incident” Accesses Police Body Cams to Give Voice to a Crime
Bill Morrison is known for his often-magical transformations of archival film in various states of decay into new works that speak to both past and present. Until the recent success of “Dawson City: Frozen Time” (2016), “Decasia” (2002), which was admitted to the...
Resets, Rethinkings, Rewirings: Reflections on a Roundtable Discussion about AI
I found myself seated at the front of a lecture hall on the campus of Ithaca College in New York. It was March 30, 2023. Philosopher Craig Duncan of Ithaca College and Raza Rumi, Director of the Park Center for Independent Media (PCIM), were there with me to...
The Epistemology of Ignorance in DeSantis World
“What is happening in Florida?” asked a recent headline in The Chronicle of Higher Education. “Since the New Year, Gov. Ron DeSantis and his Republican allies have ramped up efforts to eradicate ‘woke’ ideology from public colleges,” its reporters responded. This...
The End of the Latin American Migrant Trope
Myriad films across the history of Latin American cinema explore the trope of the migrant. These films document the trek from Latin America to the U.S. and migrants’ lives afterwards. Classic films such as “Espaldas mojadas” (Alejandro Galindo, 1995) and “El Norte”...